Antiques

696: Attractive French Gilt-Bronze Six-Light Cut-Glass Chandelier, in the Louis XVI style, richly dressed with draped facet-cut bead chains, cabochon drops, cut pendalogues, cut pendants of varying dimensions and fleurettes, electrified, h. 35in, dia.

697: Rococo-Style Giltwood Mirror, the oval plate surmounted by a scrolling acanthine crest and with a like pendant, h. 39in, w. 23in. giltwood mirror

698: Monumental Napoleon III Incised Giltwood Overmantel Mirror, of cenotaph form, third quarter 19th century, the incised carving modeled as a rinceau of flowerheads and leaves, h. 88in, w. 64in. Illustrated

699: Attractive French Gilt-Brass-Mounted Folding Dressing Table Mirror, in three sections in the Louis XVI style, fourth quarter 19th century the wooden facings of mahogany, h. 12.25in, open w. 27.25in.

700: Pair of French Gilt-Bronze Two-Light "Bowknot" Appliques, in the Louis XVI style of Jean-Charles Delafosse (1734-1789), c. 1900, having bowknot upper terminals, the lower terminals modeled as tassellated draperies, h. 19in, w. 10in, d. 5.5in.

701: Continental Ribbed Glass Eight-Light Chandelier, in the "Maria Theresa" taste, the frame and candlearms dressed with cut-glass fleurettes and cut amethyst drops, electrified, h. 19in.

702: Good Potschappel Porcelain Octagonal Encrier and Underplate, c. 1900 the lavender borders richly gilded and carrying alternating avian and floral reserves in the early 19th-century style, both the inkwell and the underplate marked, overall h. 4.25in,

703: Royal Copenhagen Porcelain Figure of a Young Male Laborer, with a mallet and a pig, c. 1900, fully signed and numbered, h. 8.5in.

704: Louis XVI-Style Giltwood Window Bench, early 20th century,the padded seat with two outscrolling arms with imbricate-carved uprights, raised on fluted tapering legs ending in toupie feet, h. 33in, w. 59in, d. 15in. Illustrated

705: Large Pair of French Gilt-Bronze Six-Light Candelabra, in the Louis XVI style, c. 1900, modeled as flower-festooned gilt-bronze two- handled vases from which emanate the candlearm bouquets, the waisted bases of gilt-bronze-mounted red Coquiller de

706: Royal Copenhagen Porcelain Figure of a Pipes-Playing Infant Satyr, modeled seated atop a half-column and accompanied by a chameleon, c. 1900, fully marked and numbered, h. 8.375in.

707: Napoleon III Oval Giltwood Looking Glass, the oval mirror plate within a conforming beaded and molded frame, h. 23in, w. 19.5in. Illustrated

708: Large Pair of French Gilt-Bronze-Mounted Sarrancolin Marble Covered Garniture Vases, in the Louis XVi taste, c. 1900, the handles modeled as wyverns with arched necks, the cover finials as leaf sprays in vases, the bases elaborately reeded, h. 24in.

709: Pair of Louis XIV-Style Giltwood Bergeres, late 19th century, each with a padded back-scrolled back, joined by padded arms to the cushioned seat, raised above a masque-carved apron on cabriole legs ending in dolphin feet, h. 35.5in.

710: Louis XVI-Style Giltwood Mirror, fourth quarter 19th century, the rectangular crest surrounded by mirrored panels and surmounted by a guilloche and swag-carved crest centered by an armorial shield and flanked by flaming urns, h. 63in, w. 44in.

711: Five-Piece Louis XVI-Style Giltwood Parlor Suite, early 20th century consisting of a settee, h. 43in, w. 108in, and four armchairs, h. 43in, each with a padded rectangular back surmounted by a carved rose crest, joined to the padded seat by scrolling

712: Royal Copenhagen Porcelain Figure of a Nude Female, modeled seated on a rock, fully signed and numbered, h. 5.75in.

713: Louis XV-Style Giltwood and Gesso Mirror, c. 1900, the rectangular beveled mirror plate within conforming, pierced shell-and-scrolling - vines molded frame, h. 37in, w. 31.5in. Illustrated

714: Diminutive Pair of French Two-Light Gilt-Bronze and Cut-Glass Two- Light Candelabra, in the Louis XVI style, early 20th century, richly dressed with cut-glass pendalogues, colorless and amethyst glass pendants of "teardrop" form and beaded glass

715: Louis XVI-Style Marble-Topped Mahogany Bouillotte Table, late 29th century, the circular white marble top with a full pierced brass gallery over a paneled frieze fitted with one drawer, raised on tapering fluted legs ending in brass toupie feet, h.