Art and Antiques Day 1

1: Pair of Louis XV-Style Carved Fruitwood Bergeres, late 19th century, each with a floral crest, joined to the cushioned seat by closed, padded arms, and raised on a foliate-carved apron on cabriole legs ending in scrolled toes, upholstered in

2: Provincial Louis XV-Style Pine Armoire, mid-19th century, the domed, C-scroll- and foliate-carved crest above a case fitted with a floral-basket-centered frieze over two long doors, each with floral carving, inset with two shaped panels divided by a

3: Provincial Louis XV-Style Fruitwood Vasselier, mid-19th century, the upper section with a molded cornice over three open shelves, the lower section fitted with a canted, rectangular top over two short drawers over two cupboard doors, each inset with

4: Louis XIV-Style Carved Fruitwood Fauteuil a la Reine, late 19th century, the slightly domed and padded back joined to the padded seat by downswept foliate-carved and incised arms, above a foliate-carved apron, raised on cabriole legs ending in

5: Louis XVI-Style Polychromed and Faux-Marbre Cabinet, mid-19th century, the rectangular gray faux-marbre top with molded edge above a case fitted with two cupboard doors, each paneled and with applied scrolling foliate accents, raised on molded block

6: Large French Provincial "Old Ivory"-Glazed Buff Terra Cotta Two-Handled Storage Jar, h. 15".

7: Large French Provincial "Old Ivory"-Glazed Buff Terra Cotta Two-Handled Storage Jar, h. 13-1-2".

8: Continental Highly Carved Wooden Architectural Fragment, now mounted on a patinated steel base as a lamp, the wooden fragment carved in high relief as green and gilt scrolling foliage topped by three white roses, h. 54".

9: Provincial Louis XIII Style Mahogany Fauteuil, late 19th century, the slightly domed and padded back joined to the like seat by flat padded arms, raised on block and bulbous turned legs joined by a like front stretcher, ending in bun feet, h. 45".

10: Good French Majolica Figural Calling Card Tray, third quarter 19th century, in the form of a putto holding a circular tray, designed by Albert-Ernest Carrier-Belleuse (French, 1824-1887), and so marked on the interior of the base, h. 15", w. 10", d.

11: After Bartolome Esteban Murillo (Spanish, 1618-1682) "The Dice Players", third quarter 19th-century oil on canvas, 11-1-4" x 9-3-4", unsigned. Presented in a good, period, carved giltwood and plaster frame in the late Classical taste.

12: French Provincial Fruitwood Occasional Table, late 19th century, the circular top with a full raised edge, raised on a turned bulbous standard to three shaped legs, h. 29-1-2", dia. 14-1-2".

13: Provincial Louis Philippe Fruitwood Dining Table, mid-19th century, the rounded top with two ovoid drop leaves, the center opening to accommodate four leaves, raised on turned and bulbous legs ending in brass caps and casters, h. 39-13-4", w. 52", d.

14: Louis Philippe Giltwood Looking Glass, mid-19th century, the rectangular plate surrounded by a paneled frame with patera and palmetto corner accents, h. 29", w. 22".

15: Unidentified French Painter, "Nature's Abundance", oil on academy board, third quarter 19th century, modified kidney-form still-life of a ewer, grape clusters, a melon, apples and peaches on a marble-topped Louis XIV giltwood table, 14-1-4" x

16: German School (18th Century) "Botanicals", pair of hand-colored engravings, after Johann Wilhelm Weinmann, sight 13-3-4" x 8-3-4". Glazed, matted and framed en suite.

17: Provincial Louis XV-Style Fruitwood Pannetiere, the shaped and domed top surmounted by five turned finials with a scroll-carved frieze below, the sides spindled, the front spindled and centered by a scroll-carved door, the shaped and like-carved

18: Suite of Ten French Provincial Fruitwood Sidechairs, late 19th century, each with a shaped crest over an arched slatted back, the rush seat raised on sabre legs, h. 34".

19: Alberto Zardo (Italian, 1876-1959) "Mountain Landscape with Oxen", oil on board, 20" x 25-1-4", signed lower right "A. Zardo", board bears label en verso "National Association of Artists-Piazza Pitti-Florence-The Largest Permanent Exhibition in

20: French Provincial Oak Buffet, early 19th century, the rectangular top with molded edge and canted corners over a conforming case fitted with three small drawers over two cupboard doors, each inset with a shaped panel, the scalloped apron raised on