Collectables

1: Chippendale-Style Mahogany Chest, the rectangular top with a shaped and molded edge and projecting corners, above a conforming case fitted with three long graduated drawers, flanked to either side by an applied acanthine-carved pilaster, raised on

2: English Generously Proportioned Mahogany Wingback Armchair and Matching Footstool, in the George III style, the chair upholstered in dark cordovan leather with brass tack-head edging and a loose conforming seat cushion of "T"-form, h. 43in. the

3: George III-Style Brass Fire Fender, c. 1900, the triple-tiered brass rails joined to balusters with ring-decorated spheres at each junction, h. 11in. w. 54.5in. d. 14in. Illustrated

4: Generously Proportioned English Carved and Turned Mahogany Wingback Armchair, in the early Georgian style, upholstered in slate blue leather with brass tack-head edging, supported on short cabriole legs shell carved at the facade knees and

5: Commodious English String-Inlaid Mahogany Upholstered Open Armchair, of the "Gainsborough" type, fourth quarter 19th century, the rear legs ended out, upholstered in pale green and taupe striped polished cotton, h. 37in. Illustrated

6: Large English Black-Lacquered and Parcel-Gilt Wooden Looking Glass, in the 18th-century chinoiserie style, the gilded chinoiserie ornament of pagodas, Chinese figures and Chinese landscape vignettes, the entire frame in craquel finish, h. 36in.

7: Queen Anne Mixed Woods Tilt-Top Tea Table, late 18th century, the round top supported by a turned central standard and having three outstretched legs, h. 27in. dia. 26in. Illustrated

8: Pair of English Mahogany "Gainsborough"-Style Armchairs, each upholstered in crewelwork-style fabric and raised on Marlborough legs h. 38in. Illustrated

9: Pair of Nickel, Brass and Mother-of-Pearl Extension Opera Glasses, first quarter 20th century, presented in the original claret fonce suede storage bag, w. 4in.

10: Large English Elliptical T“le Peinte Bottle Cooler, in the George IV style, each facade centered with a polychromed and parcel-gilt crowned armorial, the whole supported on gilt ball feet, each end fitted with gilt-ringed lion mask handles, h. 11in.

11: English Polychromed and Parcel-Gilt Cylindrical Tole Peinte Tea Canister, in the late Georgian style,now mounted as a table lamp, the facade embellished with a polychromed and parcel-gilt crowned armorial, h. 21in. Illustrated

12: Sutter, Staffordshire, Brass and Cast-Iron Postal Scale, of small size, first quarter 20th century, the circular dial of brass and touchmarked: Salter-Letter Balance-No. 11-24 ox. by 1-4 oz.- Staffordshire knot and arrow-Made In England, the circular

13: Large Pair of "Carrara" Composition Paw-Foot Bookends, after the Antique, h. 5", w. 5in.

14: English Cast-Iron Fireplace Fender, fourth quarter 19th century, the side rails each mounted with a "Ball and Bar" finial-rest for fireplace tools, h. 6in. w. 53in.

15: Large English Tiered Twelve-Light Brass Chandelier, of baluster form in the George II style, the knopped, scrolling arms fitted with large saucer-like bobeches, with white faux candles, h. 41in. w. 35in. Illustrated

16: Suite of Six William IV-Style Mixed Woods Dining Chairs, early 20th century, consisting of six sidechairs, each with four pierced slats, and slip seats, raised on Jacobean-style turned legs, h. 40in. w. 17. 5in., d. 17in. Illustrated

17: Wolfe and Hollander, London, Brass-Mounted Inlaid Mahogany Sideboard in the manner of Thomas Sheraton, first quarter 20th century, the interior reverse facade of the upper drawer with a blue-printed celluloid label from Wolfe and Hollander, Ltd., the

18: Diminutive Edwardian Carved Mahogany Three-Tier Dessert Plate Stand, in the "Chippendale" taste, first quarter 20th century, the three "plates" with carved, modified "piecrust" edges and mounted to fold, the whole supported on a pair of trestle feet,

19: Regency-Style Mahogany "Horseshoe" Table, the round top mounted to a turned pedestal base with four outstretched legs ending in cast brass paw-footed casters,t he top designed to accept four outside leaves, h 30in. dia. 48", extended dia. 71in.

20: English Oval Carved Giltwood Looking Glass, in the manner of Robert Adam (1728-1792), the ribbon-bound floral garland inner molding enframed in stylized palm fronds caught at the base with a furling bowknot, the cresting modeled as an eagle perched