932: Dutch Polychromed Pine Cupboard, second quarter 19th century, the shaped and molded domed top centered by a scroll carving above ywo shaped and paneled doors, the lower bombe section fitted with three graduated long drawers, flanked to either side by
933: Manner of Jan van Huysum (Dutch, 1682-1749) "Bouquet of Flowers in an Urn on a Pedestal", late 19th-century oil on canvas, unsigned, 51" x 38". Presented in a contemporary giltwood frame.
934: Good, Large Dutch Walnut Cabinet, fourth quarter 18th century, the heavily molded and domed cornice centered by an elaborately carved foliate and swag crest, above a case fitted with two doors, each inset with a shaped panel and with carved accents,
935: German School (19th Century) "Shepherd Tending to His Flock" and "Landscape with Cows Watering", pair of oils on canvas, 9" x 13", both examples signed "Stahn". Glazed and presented in matching period foliate-carved giltwood and plaster frames having
936: Kees Terlouw (Dutch, 1890-1948) "Autumnal Landscape with Stream and Farm Beyond", oil on canvas, signed lower right "Kees Terlouw", inscribed on canvas verso "GB=3714/Made in France/Noot Dori en Hollande", 24" x 36". Handsomely framed.
937: Good French First Empire Carved and Stained Boxwood Covered Chestnut Vase, first quarter 19th century, the handles modeled as a serpent coiling upon itself, the lip leaf-and-berry carved, the base of the vase and the circular foot leaf-tip carved, h.
938: Johannes Franciscus Spohler (Dutch, 1853-1894) "Busy Market in a Town Square" and "Bridge Over a Canal", pair of oils on panel, both examples are signed "J. F. Spohler", 6" x 4-1/2". Presented in matching late 19th-century giltwood frames.
939: Paul Wilhelm Tubbecke (German, 1848-1924) "View of a Hillside Village", oil on canvas laid down on board, 13-3/4" x 20-1/4", signed and inscribed on board verso "Paul Tubbecke/Weimer/Motiv bei Kronach Bajern". Framed.
940: A Newport Double Manual Harpsichord, ca. 1950, Bamberg, Germany, "Vivaldi" model, h. 37-1/4", w. 39-1/4". Provenance: Estate of Dr. Elise Cambon, New Orleans, Louisiana. Note: Dr. Cambon served as organist and music director at the St. Louis
941: Richard Freytag (German, 1820-1894) "Country Maiden on a Terrace Holding Distaff and Spindle", 1870, oil on canvas, signed and dated lower right "R. Freytag 1870", 25-1/2" x 18-3/4". Presented in a handsome giltwood frame.
942: Empire Mahogany and Marble-Top Commode, early 19th century, the rectangular charcoal marble top above a conforming case fitted with a single frieze drawer over three long drawers, all flanked to either side by engaged pilasters headed by ormolu
943: Attractive French Bronze-Patinated and Parcel-Gilt Brass Ten-Light Chandelier, first quarter 20th century, in the Louis-Philippe Antique style, the standard centered with a figure of a partially armored warrior holding a gilded armorial shield,
944: Pair of Italian Bronze-Patinated Wrought-Iron an
945: Large Restauration Carved Giltwood Leaf-Bracketed Oak Leaf and Acorn Wreath, second quarter 19th century, in the neoclassical taste, probably part of a bipartite looking glass cresting originally, the reverse fitted with a trio of iron suspension
946: Empire Mahogany and Marble-Top Center Table, second quarter 19th century, the circular charcoal marble top above a plain frieze, raised on three ormolu-mounted columnar supports to the concave tripartite base, h. 39-1/2", dia. 30-1/2".
947: Provincial Empire Walnut Armoire, third quarter 19th century, the molded cornice above a case fitted with two long paneled doors, flanked to either side by an ormolu-mounted engaged pilaster, raised on turreted feet, h. 75-1/4", w. 49", d. 21".
948: Pair of French Gilded Brass Two-Light Appliques, first quarter 20th century, in the Restauration style, the candlearms modeled as stylized cornucopiae, fitted with faux candles and electrified, h. 14-3/4", w. 10".
949: Large French Carved, Dark Charcoal-Painted and Parcel-Gilt Beechwood Overmantel Mirror, first quarter 20th century, in the First Empire style, the side rails modeled as Corinthian capital pilasters with relief-carved giltwood palmettes and conjoined
950: Stately French Parcel-Gilt- and Patinated Bronze and Rouge Royale Marble Mantel Clock, second quarter 19th century, in the form of Athena holding her gilded shield on which the clock face appears, the whole modeled in the First Empire style, h.
951: Provincial Empire-Style Fruitwood and Walnut Buffet, fourth quarter 19th century, the banded rectangular top above a conforming case fitted with three drawers over three recessed paneled cupboard doors, all flanked and divided by ormolu-mounted
