1: Dutch Mahogany and Marquetry Bureau Cylindre, early 19th century, the rectangular top above a cylinder bureau opening to an extending writing surface and a variety of drawers and cubbyholes surrounding a central tambour cupboard, the lower section of
2: After Jean-Leon Gerome (French, 1824-1904) "The Prisoner", oil on canvas, inscribed lower left "J. L. Gerome", 17" x 28-3/4". Presented in an elaborately carved 19th century giltwood frame.
3: Dutch-Style Fruitwood Games Table, the rectangular top banded and with turreted corners, opening to a banded gaming surface, above a frieze fitted with a single small drawer, raised on cabriole legs ending in pointed toes, h. 29-1/2", w. 35-1/8", d.
4: Northern European Gilt-Brass and Cut Glass Eight-Light Chandelier, third quarter 19th century, in the neoclassical style, the central cut glass shaft framed by a cabochon bead-dressed ring behind the alternating candlearms and cut glass spikes,
5: Pair of Continental Baroque Carved Oak Winged Putto Masques, first quarter 18th century, now mounted as table lamps on custom steel display stands in a natural rusted finish, the masques now in a stripped, natural waxed finish, h. 13", w. 15".
6: Continental Walnut Center Table, second quarter 19th century, the circular top with a highly figured sunburst veneer, raised on a turned and reeded vasiform base to three legs, each headed by a masque carving and ending in paw feet on casters, h.
7: Flemish Embossed Gilt-Brass-Mounted Rectangular Looking Glass, fourth quarter 19th century, of cushion form in the late Baroque style, the primary plate beveled throughout, the outer mirrored glass panels antiqued, the pediment of gable form centered
8: Georgi Alexandrovich Lapchine (Russian, 1885-1950) "Harbor Scene", oil on board, signed lower right "G. Lapchine", 10-3/4" x 13-3/4". Presented in a contemporary frame.
9: Good, Large Pair of Baroque Carved Wood Figures of Flying Angels, second quarter 18th century, the figures with minute traces of the original polychromy and parcel gilding, now in a weathered natural finish, h. 25", w. 29", d. 6-1/2".
10: Dutch Rosewood Kas, second quarter 19th century, the molded cornice above a case fitted with two long doors, flanked and separated by paneled pilasters with ebonized accents, with two paneled drawers below, raised on ebonized bun feet, h. 79", w.
11: Danish School (First Quarter 20th Century) "Moonlit View of Sailing Ships", 1918, oil on canvas, 22" x 32", signed and dated lower right "H. Hansen 18", canvas stamp en verso "KPA BRESLAN". Presented in a period ebonized wood frame with gilt fillet.
12: Continental Fruitwood Cabinet, the rectangular top with a molded edge above a conforming case fitted with two short drawers over two cupboard doors, each paneled and centered by a carved foliate medallion, the molded base raised on bracket feet, h.
13: Good, Large and Ornate Palm Wood Devotional Cruc
14: Large Pair of Continental Carved and Polychromed Wooden Putti Masques, first quarter 19th century, in the neoclassical taste, the rubbed painted finish in "antique verdigris", h. 15", w. 11-1/2", d. 4-1/2".
15: Good Shadowboxed Roman Baroque Fresco Fragment of the Hungarian Martyr St. Bystrik, first quarter 18th century, presented in a deep mahogany glazed shadowbox, fragment h. 21-1/4", w. 16", overall h. 22-3/4", w 19-1/2". Provenance: Watson and Boaler,
16: Italian Carved Giltwood Two-Handled Vasiform Garniture, in the neoclassical style, now mounted as a table lamp, the body of the vase acanthine carved, the handles modeled as foliate scrolls, h. 24", w. 10-1/2", d. 5-3/4".
17: Russian Polychromed Wooden Ikon of "The Youthful St. George and the Dragon", third quarter 19th century, in a richly cut and gilded brass riza within a rosewood-grained and glazed kiot, h. 14", w. 12-5/8", d. 3-1/4".
18: Attractive Russian Polychromed Wooden Ikon of "The Vladimir Virgin and Child", third quarter 19th century, St. Petersburg, presented in a parcel-gilt silver riza touchmarked St. Petersburg, 1864, assayer A.N. Mitin, unidentified maker "FP", h.
19: Charles X Rosewood and Marble-Top Commode, second quarter 19th century, the rounded rectangular Sainte-Anne Francais marble top above a conforming case fitted with a secretary drawer opening to a leather-inset writing surface and a variety of drawers
20: Rare Charles X Griotte and Siena Marble Obelisk
