Major Estates Auction Day 2

925: Faux Pearl and Rhinestone Cloth-Back Brooch, ca. 1945, composed of a braided cloth-back set with a cluster of rhinestone-set maple leaves and ten faux pearl-encrusted spheres, unsigned.

926: Pair of Art Deco-Style Rhinestone Earrings, ca. 1955, each set with mixed-cut rhinestones as three petaled flowers with leafy accents set between the three petals, unsigned.

927: Miriam Haskell Faux Pearl, Rhinestone and Black Glass Bead Necklace and Earrings, ca. 1940, composed of baroque faux pearl beads with rhinestone rondels, terminating in a flower of black glass beads with rhinestone edges and a pearl center, the

928: Miriam Haskell Faux Pearl and Gold-Toned Brooch, ca. 1955, cast in gold-toned metal as two overlapping leaf clusters, one cluster showing the leaf veins, the other pave set with faux pearls, signed in an oval plaque on the reverse.

929: Miriam Haskell Pearl and Rhinestone Pendant Necklace, ca. 1955, composed of a double strand of baroque faux pearls suspending a floral cluster pendant of faux pearls and rhinestones and three baroque faux pearl drops, signed on the clasp.

930: Miriam Haskell Faux Pearl and Rhinestone Necklace, ca. 1945, composed of an uneven single strand of baroque faux pearls with rhinestone and crystal spacers and suspending a gold-toned floral drop with round and carved faux pearl and rhinestone

931: Pair of Miriam Haskell Rhinestone and Faux Pearl Earrings, ca. 1945, each composed of a gold-toned flower with sprays of white rhinestones and a large baroque faux pearl, signed on the back of the clasp.

932: Miriam Haskell Graduated Faux Pearl Bow Necklace, ca. 1950, composed of a single strand of graduated baroque faux pearls with gold-toned spacers terminating in a bow-shaped drop in gold-toned filigree with a faux pearl border and pear-shaped drop,

933: Pair of Miriam Haskell Rhinestone Floral Earrings, ca. 1950, each composed of told-toned flowers with two layers of petals and the centers set with five clear rhinestones in a cluster, signed on the clips on the back.

934: Spectacular Miriam Haskell Faux Pearl, Crystal and Rhinestone Bracelet, ca. 1950, composed of three strands of faux pearls centered with a large plaque of leaves and flowers set with faux pearls, aurora borealis crystals and rhinestones, accented

935: Strand of Miriam Haskell Faux Pearls, ca. 1945, composed of a single strand of eighty-three round cream-colored faux pearls with an average diameter of 8.0 MM, signed on an oval plaque at the clasp.

936: Pair of Miriam Haskell Gold-Toned Earrings, ca. 1940, each cast in gold-toned metal and modeled as the funerary mask of King Tut, signed on the screw back.

937: Miriam Haskell Rhinestone and Pearl Dome Ring, ca. 1960, composed of a rectangular step-cut rhinestone surrounded by rhinestones and wire-strung faux pearls, all above a gold-toned architectural mount, signed on a plaque on the reverse, the shank

938: Pair of Faux Pearl and Rhinestone Hoop Earrings, ca. 1945, each composed of a floral top with a central rhinestone surrounded by faux pearls, suspending a gold-toned hoop with faux pearl and rhinestone drops, unsigned.

939: Pair of Gold-Toned Damascene-Style Drop Earrings, ca. 1955, each with a circular top suspending a banjo-shaped drop, all decorated with black- and gold-painted decoration over a steel base, unsigned.

940: Faux Pearl and Rhinestone Elastic-Strung Bracelet, composed of two rows of gray faux pearls and one of white faux pearls with two floral-design terminals set with rhinestones and white and gray faux pearls, unsigned.

941: Pair of Rhinestone and Faux Moonstone Earrings, ca. 1950, each of foliate design set with rhinestone flowers and frosted glass tubular beads set in leaf forms, with a faux moonstone cabochon in the center of the leaves, unsigned.

942: Miriam Haskell Pearl and Rhinestone Dinner Ring, ca. 1950, the plain shank supporting a gold-toned filigree base set with rhinestones and a central faux pearl, signed on a plaque on the reverse.

943: Miriam Haskell Faux Amber, Onyx and Rhinestone Necklace and Tassel, ca. 1955, composed of faceted faux onyx beads and polished faux amber beads with rhinestone rondels, terminating in a rhinestone-set tube and black silk tassel, signed on an oval

944: Pair of Miriam Haskell Faux Onyx and Rhinestone Drop Earrings, ca. 1945, each composed of rhinestone and faux onyx spheres suspending a large clear glass briolette with a rhinestone-studded cap, signed on the earring back.