Three-Day Major Estates Sale

1: Sumptuous French Gilt-Brass and Cut Glass Tiered Twenty-Two-Light Chandelier, first quarter 20th century, of cage form in the Louis XV style, lavishly dressed with four magnum bishops, cut stars and cut pendalogues in four sizes, electrified and

2: Louis XV Mahogany, Kingwood and Marble-Top Commode, late 18th century, of bombe form, the shaped rouge du Maine marble top above a conforming case fitted with two banded and quarter-veneered drawers, the sides banded and veneered en suite, raised on

3: Attractive F. and F., Paris, Gilt-Lacquered Brass-Mounted Crimson Boulle Cartel Clock, first quarter 20th century, in the Louis XV style, the case surmounted by a gilded allegorical figure of "Fame", the matching shelf with a richly modeled

4: Louis XV-Style Kingwood and Mahogany Occasional Table, ca. 1900, the oval top banded and with a raised edge surrounding an elaborate inlay of a populated oriental landscape, above a vessel-inlaid frieze fitted with a single drawer, joined to a banded

5: Louis XV-Style Ormolu-Mounted Kingwood Occasional Table, the shaped rectangular top brass bound, banded and with an elaborate scrolling foliate inlay, above a conforming drawer, raised on cabriole legs ending in sabots, h. 28-3/4", w. 27-3/4", d.

6: French Gilt-Brass-Mounted Gros-Point Bell Pull, third quarter 19th century, with a pendant parcel-gilt cut cobalt blue glass basal finial, the gros-point needlework backed throughout in antique gold silk, h. 79", w. 5-1/4".

7: Louis XV-Style Kingwood and Mahogany Center Table, early 20th century, the circular banded top quarter veneered and inlaid with an elaborate floral design, above a shaped frieze fitted with a single drawer, raised on cabriole legs ending in sabots,

8: Japonesque-Style Lacquered Cabinet, mid-20th century, the case fitted with two doors, each hinged to make four panels, the whole with gilt polychrome floral vases, raised on a square leg stand joined by a lower shelf and headed by pierced fretwork,

9: Chinese Bronze Figure of Guan Di, 19th century, now mounted as a lamp, the seated figure dressed in armor with traces of painted details, mounted on a copper and wooden base with a post at the back for electricity, fitted with a custom pleated raw

10: Fine Pair of Japanese Embroidered Silk Panels, 19th century, now made into pillows, the dark navy ground embroidered in gold thread with lotus, dianthus and wisteria blossoms in a woven ikebana basket with ribboned decoration, bordered on two sides

11: Chinese Embroidered Silk Picture, 19th century, now framed and glazed, the cream silk ground embroidered as a flower seller and his goat cart filled with flowers under a clump of bamboo with birds, butterflies and insects, all within a scrolling

12: Good Regence-Style Ormolu-Mounted Kingwood and Marble-Top Bombe Commode, late 19th century, the variegated ochre marble top shaped and with a molded edge, above a conforming bombe case fitted with two long drawers inlaid with a sunburst pattern and

13: French Turned Giltwood-Mounted Eglomise Vase, third quarter 19th century, in "Oriental Flowers" decor, now mounted as a table lamp, h. 13", dia. 10".

14: French Carved Giltwood and Beveled Glass Table Vitrine, first quarter 20th century, of incurvate rectangular form in the Louis XVI taste, the interior lined in faded figured rose damask, h. 3-1/2", w. 15", l. 17-1/2".

15: Large Napoleon III Carved Giltwood Rectangular Looking Glass, third quarter 19th century, in the Louis XVI taste, the central plate oval and broadly beveled, with the corners as mirrored glass spandrels, the cresting modeled as a putto in a bower

16: Continental Ormolu and Marble-Top Occasional Table, early 20th century, in the Empire taste, the canted square top with an inset Travertin rouge marble surface, raised on concave supports headed by rings, joined by a box stretcher, and terminating in

17: French Bronzed and Parcel-Gilt Wrought-Iron Eight-Light Scroll-Arm Chandelier, second quarter 20th century, richly dressed with amber and colorless glass fleurettes and faceted drops in three sizes, electrified and fitted with taupe card faux-wax

18: French School (Third Quarter 19th Century), oil on panel painting of provincial citizens praying in a church before a sculpture of the Virgin and Child, unsigned, 11-1/2" x 9". Presented in a carved and antiqued giltwood frame in the neoclassical

19: French School (First Quarter 20th Century) "Academic Study of a Male Nude Standing Full-Length", oil on panel, signed lower left "F. Gullard", retains partial label on panel verso "Chevalets, Boites___, Hostel___, Rue___", 16" x 9". Presented in an

20: Napoleon III Giltwood Looking Glass, third quarter 19th century, in the Louis XVI taste, the beveled rectangular plate surmounted by an avian ribbon crest issuing floral garlands, with urn-form end finials, the plate surrounded by cushioned beveled