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Jean Beraud (French, 1849-1935), "Une Parisienne", ca. 1880, oil on canvas, signed lower right "Jean Beraud", verso with a "Richard Green, London, U.K." gallery label and a letter of inclusion in the Catalogue Raisonne de l'oevre de Jean Beraud by Patrick Offenstadt, Fondation Wildenstein, Paris, 14" x 10". Presented in a period giltwood frame. Provenance: Richard Green Gallery, London, U.K; Christie's, New York, May 27, 1992, lot 60; Merryl Israel Aron, New Orleans, Louisiana. Jean Beraud initially began his career as a portraitist before finding his metier as a chronicler of middle-class urban life. His frequently rain-drenched street scenes depict the sophisticated, bustling denizens of Paris as they complete their often prosaic errands. A quintessential Belle Epoque painter, Beraud's subjects can be viewed as feminized versions of the flaneur or boulevardier so prevalent in the writings and art of the early 19th century. With his somewhat panoramic compositions, Beraud creates a sense of immediacy and vitality in these visual explorations of contemporary, everyday city life. As with the painting presented here, he intends for the viewer to perceive - to react to - a specific moment caught in time. To achieve this effect, Beraud had a cab specially rigged as a mobile studio, allowing him the ability to paint plein air scenes of the busy avenues and boulevards, unhindered by the activity around him. As a contemporary, the artist and journalist Henry Bacon (1839-1912) wrote in his "Glimpses of Parisian Art": "A cab...attracted our attention. Presently up went the curtain, and the familiar head of Beraud appeared. At his invitation, we thrust a head into the miniature studio to see his latest picture. His canvas was perched upon the seat in front, his color-box beside him..." Beraud studied law at the Lycee Bonaparte (now Lycee Condoret) before entering the atelier of the Academic painter Leon Bonnat (1833-1922). He had his debut at the Paris Salon in 1827, receiving a 3rd class medal in 1882 and a 2nd class medal in 1883; this last obtained for him the status of "hors concours", essentially allowing him the privilege of submitting to the Salon "at will". He was elected a chevalier of the Legion d' honneur in 1887 and was named an officier in 1894. References: Bretell, Richard R.; Tucker, Paul Hayes; Lee, Natalie H. Nineteenth and Twentieth Century Paintings in the Robert Lehman Collection. 2009. Princeton: The Princeton University Press in association with the Metropolitan Museum of Art. pp. 56-59.; Bacon, Henry. "Glimpses of Parisian Art". The Century Illustrated Monthly Magazine, Volume XXI, New York, 1886.


  • Condition: In overall great, professionally restored condition. Inpainting repairs to proper right shoulder, hip, proper right leg and a few spots in the hat. Inpainting touch-ups to left edge, lower center of bottom edge, lower right corner. Canvas relined. A beautiful example of Jean Beraud's work.

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