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Vittorio Matteo Corcos (Italian, 1859-1933), "Due Damme Eleganti", oil on canvas, signed upper right, 42" x 22-3/8". Presented in a giltwood frame. Provenance: Merryl Israel Aron, New Orleans, Louisiana. Vittorio Corcos was considered one of the pre-eminent Italian portrait painters of his time, along with Giovanni Boldini (1842-1931) and Giuseppe De Nittis (1846-1884), his close friend and mentor. Most admired for his carefully composed paintings of elegantly attired society women, Corcos' polished portraits seemingly revel in the treatment of the various textures of flesh and fabric, and reveal a meticulous attention to detail. Frequently giving only cursory attention to backgrounds and settings, he instead emphasizes the physicality of his sitters, often having the figures take up the entirety of the canvas and frequently having them directly - even boldly - confront the viewer. As seen with the painting offered here, this creates a sense of immediacy and intimacy and reflects the prevailing character of Belle Epoque Europe. Born into a Sephardic family in the Tuscan seaport of Livorno, a city long known for its thriving and unrestricted Jewish community (and which, years later was to be the birthplace of Amadeo Modigliani), Corcos showed early promise as an artist. At the age of sixteen he enrolled at the Academia di Belle Arti in Florence, to study under Enrico Pollastrini (1817-1876). A grant sponsored by his hometown gave him the opportunity to travel to Naples where he spent a year working with Domenico Morelli (1823-1901). In 1880 he moved to Paris where he was taken under the wing of Giuseppe De Nittis, who introduced the young man to many of the artistic and literary luminaries of the time (including Edgar Degas, Edouard Manet, Emile Zola, and Gustave Flaubert), and to the influential firm of Maison Goupil. Corcos entered into a lucrative contract with Goupil, producing portraits and doing illustrative work. He also spent several years in the studio of Leon Bonnat (1833-1922) before returning permanently to Italy in 1886, where he made his home in Florence; he continued to make work excursions to Paris and London for the remainder of his life. References: Mann, Vivian B. Gardens and Ghettos: The Art of Jewish Life in Italy. 1989. New York: Jewish Museum. p. 332.; Morris, Roderick Conway. A Reassessment of Corcos, Sensuality and Subtlety Intact. October 8, 2014. International New York Times.; Palazzo Zabarella. Dreaming of the Belle Epoque. artapartofculture.net. N.p., September 6, 2014. Web.


  • Condition: In overall great, professionally restored condition. An approximate 4" x 3" patched repair in upper right portion of canvas, with a corresponding inpainting repair. Inpainting repairs: to the upper right edges, a few scattered, minor, spot-like repairs in the background, central figure's forehead and hat, one spot in mid-right edge, lower central portion of canvas and left edge, and a few other spots in the dress.

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May 21, 2016 10:00 AM CDT
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